When a drive-by shooting in Holyoke, Massachusetts, claims the lives of a Puerto Rican drug dealer and a nurse at a neighborhood clinic, the police arrest a black drug dealer. With no death penalty in Massachusetts, the US attorney shifts the double homicide out of state jurisdiction into federal court so that he can pursue the death penalty.
The Honorable David S. Norcross, who has been on the federal bench only two years, now presides overthe first death penalty case in the state in fifty years. He must contend not only with an ambitious female prosecutor and a brilliant veteran defense attorney, but with a citizenry outraged at the senseless killing of a white hockey mom—not to mention the pressures of the media, anti-death penalty protesters, vengeful gang members, and the million other things that can go wrong in a capital trial.
Michael A. Ponsor takes readers into the courtroom and beyond, presenting with great sensitivity the points of view of the defendant and his wife; the victims' families; law enforcement officers; witnesses; and the judge who, while still coming to terms with the death of his wife, begins a relationship with a woman he is not sure he can trust.
"I had crossed all the lines they you say you can never cross without being destroyed, and here I was, alive and strong."
In the grand tradition of Moll Flanders and Vanity Fair, this is the story of a good girl who became a bad woman. At the old homestead her name is never spoken and her picture is turned to the wall, but in the vast world beyond everyone remembers her as the celebrated madam of the finest parlor house in San Francisco. Now, at the end of her life, after half a century of successfully hiding the details of her scarlet past, Belle has decided to reveal all her secrets.
In 1838, Arabella Godwin and her beloved younger brother, Lewis, are orphaned and shipped away from their home in New York City to live on their aunt's desolate farm upstate. The comforts she has always known are replaced with grueling work and a pair of cunning enemies in her cousins Agnes and Matthew. Amid this bleak existence, there emerges light in the form of a local boy, Jeptha Talbot. He is everything good that Arabella craves. His love saves her and becomes an obsession that will last her whole life.
Time and again she will be broken and remade. She will bear a gambler’s child, build a fortune, commit murder, leave a trail of aliases in her wake and sacrifice almost everything—though perhaps not enough--for the man whose love she cannot bear to lose. At last her destiny will take her to Gold Rush California, to riches and power.
Until the day she mysteriously disappears.
Told with unflagging wit and verve, Belle Cora brings to life a turbulent era and an untamed America on the cusp of greatness. Its heroine is a woman in conflict with her time, who nevertheless epitomizes it with her fighting spirit, her gift for self-invention, and her determination to chart her own fate.
The Days of Anna Madrigal, the suspenseful, comic, and touching ninth novel in Armistead Maupin’s bestselling “Tales of the City” series, follows one of modern literature’s most unforgettable and enduring characters—Anna Madrigal, the legendary transgender landlady of 28 Barbary Lane—as she embarks on a road trip that will take her deep into her past.
Now ninety-two, and committed to the notion of “leaving like a lady,” Mrs. Madrigal has seemingly found peace with her “logical family” in San Francisco: her devoted young caretaker Jake Greenleaf; her former tenant Brian Hawkins and his daughter Shawna; and Michael Tolliver and Mary Ann Singleton, who have known and loved Anna for nearly four decades.
Some members of Anna’s family are bound for the otherworldly landscape of Burning Man, the art community in Nevada’s Black Rock Desert where 60,000 revelers gather to construct a city designed to last only one week. Anna herself has another destination in mind: a lonely stretch of road outside of Winnemucca where the 16-year-old boy she once was ran away from the whorehouse he called home. With Brian and his beat-up RV, she journeys into the dusty troubled heart of her Depression childhood to unearth a lifetime of secrets and dreams and attend to unfinished business she has long avoided.
The Jackson women, Indiana and Amanda, have always had each other. Yet, while their bond is strong, mother and daughter are as different as night and day. Indiana, a beautiful holistic healer, is a free-spirited bohemian. Long divorced from Amanda’s father, she’s reluctant to settle down with either of the men who want her—Alan, the wealthy scion of one of San Francisco’s elite families, and Ryan, an enigmatic, scarred former Navy SEAL.
While her mom looks for the good in people, Amanda is fascinated by the dark side of human nature, like her father, the SFPD’s Deputy Chief of Homicide. Brilliant and introverted, the MIT-bound high school senior is a natural-born sleuth addicted to crime novels and Ripper, the online mystery game she plays with her beloved grandfather and friends around the world.
When a string of strange murders occurs across the city, Amanda plunges into her own investigation, discovering, before the police do, that the deaths may be connected. But the case becomes all too personal when Indiana suddenly vanishes. Could her mother’s disappearance be linked to the serial killer? Now, with her mother’s life on the line, the young detective must solve the most complex mystery she’s ever faced before it’s too late.
Supernatural superhero Rachel Morgan must counter a strange magic that could spell civil war for the Hollows in this sexy and bewitching urban fantasy adventure in acclaimed New York Times bestselling author Kim Harrison's Hollows series.
Witch and day-walking demon Rachel Morgan has managed to save the demonic ever after from shrinking, but at a high cost. Now, strange magic is attacking Cincinnati and the Hollows, causing spells to backfire or go horribly wrong, and the truce between the races, between Inderlander and human, is shattering. Rachel must stop this dark necromancy before the undead vampire masters who keep the rest of the undead under control are lost and all-out supernatural war breaks out.
Rachel knows of
only weapon to ensure the peace: ancient elven wild magic, which carries
its own perils. And no one know better than Rachel that no good deed
goes unpunished . . .
From the author of the widely acclaimed debut novel Seating Arrangements, winner of the Dylan Thomas Prize and the Los Angeles Times Book Prize for First Fiction: a gorgeously written, fiercely compelling glimpse into the demanding world of professional ballet and its magnetic hold over two generations.
Astonish Me is the irresistible story of Joan, a young American dancer who helps a Soviet ballet star, the great Arslan Rusakov, defect in 1975. A flash of fame and a passionate love affair follow, but Joan knows that, onstage and off, she is destined to remain in the background. She will never possess Arslan, and she will never be a prima ballerina. She will rise no higher than the corps, one dancer among many.
After her relationship with Arslan sours, Joan plots to make a new life for herself. She quits ballet, marries a good man, and settles in California with him and their son, Harry. But as the years pass, Joan comes to understand that ballet isn’t finished with her yet, for there is no mistaking that Harry is a prodigy. Through Harry, Joan is pulled back into a world she thought she’d left behind—back into dangerous secrets, and back, inevitably, to Arslan.
Combining a sweeping, operatic plot with subtly observed characters, Maggie Shipstead gives us a novel of stunning intensity and deft psychological nuance. Gripping, dramatic, and brilliantly conjured, Astonish Me confirms Shipstead’s range and ability and raises provocative questions about the nature of talent, the choices we must make in search of fulfillment, and how we square the yearning for comfort with the demands of art.
Hailed as a "supreme storyteller" (Philadelphia Inquirer) for his "cunning, dismaying and beautifully conceived" fiction (New York Times), Akhil Sharma is possessed of a narrative voice "as hypnotic as those found in the pages of Dostoyevsky" (The Nation). In his highly anticipated second novel, Family Life, he delivers a story of astonishing intensity and emotional precision.
We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family’s younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family’s new life.
Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival.
From the highly acclaimed, multiple award-winning Anthony Doerr, a stunningly ambitious and beautiful novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
Suspenseful and cinematic, Bittersweet exposes the gothic underbelly of an idyllic world of privilege and an outsider’s hunger to belong.
On scholarship at a prestigious East Coast college, ordinary Mabel Dagmar is surprised to befriend her roommate, the beautiful, wild, blue-blooded Genevra Winslow. Ev invites Mabel to spend the summer at Bittersweet, her cottage on the Vermont estate where her family has been holding court for more than a century; it’s the kind of place where children twirl sparklers across the lawn during cocktail hour. Mabel falls in love with midnight skinny-dipping, the wet dog smell that lingers near the yachts, and the moneyed laughter that carries across the still lake while fireworks burst overhead. Before she knows it, she has everything she’s ever wanted: friendship, a boyfriend, access to wealth, and, most of all, for the first time in her life, the sense that she belongs.
But as Mabel becomes an insider, a terrible discovery leads to shocking violence and reveals what the Winslows may have done to keep their power intact - and what they might do to anyone who threatens them. Mabel must choose: either expose the ugliness surrounding her and face expulsion from paradise, or keep the family’s dark secrets and make Ev's world her own.
“It was probably because I was so often taken away from Cambridge when I was young that I loved it as much as I did . . .”
So begins this novel-from-life by the best-selling author of Girl, Interrupted, an exploration of memory and nostalgia set in the 1950s among the academics and artists of Cambridge, Massachusetts.
London, Florence, Athens: Susanna, the precocious narrator of Cambridge, would rather be home than in any of these places. Uprooted from the streets around Harvard Square, she feels lost and excluded in all the locations to which her father’s career takes the family. She comes home with relief—but soon enough wonders if outsiderness may be her permanent condition.
Written with a sharp eye for the pretensions—and charms—of the intellectual classes, Cambridge captures the mores of an era now past, the ordinary lives of extraordinary people in a singular part of America, and the delights, fears, and longings of childhood.
When Kurt Austin is injured attempting to rescue the passengers and crew from a sinking yacht, he wakes with fragmented and conflicted memories. Did he see an old friend and her children drown, or was the yacht abandoned when he came aboard? For reasons he cannot explain, Kurt doesn’t trust either version of his recollection.
Determined to know the truth, he begins to search for answers, and soon finds himself descending into a shadowy world of state-sponsored cybercrime, and uncovering a pattern of vanishing scientists, suspicious accidents, and a web of human trafficking. With the help of Joe Zavala, he takes on the sinister organization at the heart of this web, facing off with them in locations ranging from Monaco to North Korea to the rugged coasts of Madagascar. But where he will ultimately end up¾even he could not begin to guess.
Hurricane season begins early and rumbles all summer long, well into September. Often people's lives reflect the weather and The Hurricane Sisters is just such a story.
Once again Dorothea Benton Frank takes us deep into the heart of her magical South Carolina Lowcountry on a tumultuous journey filled with longings, disappointments, and, finally, a road toward happiness that is hard earned. There we meet three generations of women buried in secrets. The determined matriarch, Maisie Pringle, at eighty, is a force to be reckoned with because she will have the final word on everything, especially when she's dead wrong. Her daughter, Liz, is caught up in the classic maelstrom of being middle-age and in an emotionally demanding career that will eventually open all their eyes to a terrible truth. And Liz's beautiful twenty-something daughter, Ashley, whose dreamy ambitions of her unlikely future keeps them all at odds.
Luckily for Ashley, her wonderful older brother, Ivy, is her fierce champion but he can only do so much from San Francisco where he resides with his partner. And Mary Beth, her dearest friend, tries to have her back but even she can't talk headstrong Ashley out of a relationship with an ambitious politician who seems slightly too old for her.
Actually, Ashley and Mary Beth have yet to launch themselves into solvency. Their prospects seem bleak. So while they wait for the world to discover them and deliver them from a ramen-based existence, they placate themselves with a hare-brained scheme to make money but one that threatens to land them in huge trouble with the authorities.
So where is Clayton, Liz's husband? He seems more distracted than usual. Ashley desperately needs her father's love and attention but what kind of a parent can he be to Ashley with one foot in Manhattan and the other one planted in indiscretion? And Liz, who's an expert in the field of troubled domestic life, refuses to acknowledge Ashley's precarious situation. Who's in charge of this family? The wake-up call is about to arrive.
The Lowcountry has endured its share of war and bloodshed like the rest of the South, but this storm season we watch Maisie, Liz, Ashley, and Mary Beth deal with challenges that demand they face the truth about themselves. After a terrible confrontation they are forced to rise to forgiveness, but can they establish a new order for the future of them all?
Frank, with her hallmark scintillating wit and crisp insight, captures how a complex family of disparate characters and their close friends can overcome anything through the power of love and reconciliation. This is the often hilarious, sometimes sobering, but always entertaining story of how these unforgettable women became The Hurricane Sisters.
I am Princess Meredith NicEssus. Legal name Meredith Gentry, because “Princess” looks so pretentious on a driver’s license. I was the first faerie princess born on American soil, but I wouldn’t be the only one for much longer...
Merry Gentry, ex–private detective, now full-time princess, knew she was descended from fertility goddesses, but when she learned she was about to have triplets, she began to understand what that might mean. Infertility has plagued the high ranks of faerie for centuries. Now nobles of both courts of faerie are coming to court Merry and her men, at their home in exile in the Western Lands of Los Angeles, because they will do anything to have babies of their own.
Taranis, King of Light and Illusion, is a more dangerous problem. He tried to seduce Merry and, failing that, raped her. He’s using the human courts to sue for visitation rights, claiming that one of the babies is his. And though Merry knows she was already pregnant when he took her, she can’t prove it.
To save herself and her babies from Taranis she will use the most dangerous powers in all of faerie: a god of death, a warrior known as the Darkness, the Killing Frost, and a king of nightmares. They are her lovers, and her dearest loves, and they will face down the might of the high courts of faerie—while trying to keep the war from spreading to innocent humans in Los Angeles, who are in danger of becoming collateral damage.
From the beloved and acclaimed novelist, a collection of witty, moving essays.
In her two decades of writing, Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they're old friends. Now she shares an even more intimate world with us—her own—in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics.
Here you'll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick's Day, a hilariously unflinching account of her tiptoe into online dating. But she also tackles the serious and profound in eloquent stories of unexpected widowhood and caring for elderly parents that use her struggles to illuminate ours. Whether for Lipman's longtime readers or those who love the essays of Nora Ephron or Anna Quindlen, I Can't Complain is a diverting delight.
TOO CLOSE FOR COMFORT
It's a chilling reality that homicide investigators know all too well: the last face most murder victims see is not that of a stranger, but of someone familiar. Whether only an acquaintance or a trusted intimate, such killers share a common trait that triggers the downward spiral toward death for someone close to them: they are masters at hiding who they really are. Their clever masks let them appear safe, kind, and truthful. They are anything but—and almost no one can detect the murderous impulses buried deep in their psyches.
These doomed relationships are the focus of Ann Rule's sixteenth all-new Crime Files collection. In these shattering inside views of both headlined and little-known homicides, Rule speaks for vulnerable victims who relied on the wrong people. She begins with two startling novella-length investigations.
In July 2011, a billionaire's Coronado, California, mansion was the setting for two horrifying deaths only days apart—his young son's plunge from a balcony and his girlfriend's ghastly hanging. What really happened? Baffling questions remain unanswered, as these cases were closed far too soon for hundreds of people; Rule looks at them now through the eyes of a relentless crime reporter. The second probe began in Utah when Susan Powell vanished in a 2009 blizzard. Her controlling husband, Josh, proved capable of a blind rage that was heartbreakingly fatal to his innocent small sons almost three years later in a tragedy that shocked America as the details unfolded. If anyone had detected the depth of depravity within Josh Powell, perhaps the family that loved and trusted him would have been saved. In these and seven other riveting cases, Ann Rule exposes the twisted truth behind the façades of Fatal Friends, Deadly Neighbors.
With a career, a boyfriend, and a loving family, Piper Kerman barely resembles the reckless young woman who delivered a suitcase of drug money ten years before. But that past has caught up with her. Convicted and sentenced to fifteen months at the infamous federal correctional facility in Danbury, Connecticut, the well-heeled Smith College alumna is now inmate #11187–424—one of the millions of people who disappear "down the rabbit hole" of the American penal system. From her first strip search to her final release, Kerman learns to navigate this strange world with its strictly enforced codes of behavior and arbitrary rules.
She meets women from all walks of life, who surprise her with small tokens of generosity, hard words of wisdom, and simple acts of acceptance. Heartbreaking, hilarious, and at times enraging, Kerman’s story offers a rare look into the lives of women in prison—why it is we lock so many away and what happens to them when they’re there.
In this powerful and intimate memoir, the beloved bestselling author of The Prince of Tides and his father, the inspiration for The Great Santini, find some common ground at long last.
Pat Conroy's father, Donald Patrick Conroy, was a towering figure in his son's life. The Marine Corps fighter pilot was often brutal, cruel, and violent; as Pat says, "I hated my father long before I knew there was an English word for 'hate.'" As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the toll his father's behavior took on his siblings, and especially on his mother, Peg. She was Pat's lifeline to a better world—that of books and culture. But eventually, despite repeated confrontations with his father, Pat managed to claw his way toward a life he could have only imagined as a child.
Pat's great success as a writer has always been intimately linked with the exploration of his family history. While the publication of The Great Santini brought Pat much acclaim, the rift it caused with his father brought even more attention. Their long-simmering conflict burst into the open, fracturing an already battered family. But as Pat tenderly chronicles here, even the oldest of wounds can heal. In the final years of Don Conroy's life, he and his son reached a rapprochement of sorts. Quite unexpectedly, the Santini who had freely doled out physical abuse to his wife and children refocused his ire on those who had turned on Pat over the years. He defended his son's honor.
The Death of Santini is at once a heart-wrenching account of personal and family struggle and a poignant lesson in how the ties of blood can both strangle and offer succor. It is an act of reckoning, an exorcism of demons, but one whose ultimate conclusion is that love can soften even the meanest of men, lending significance to one of the most-often quoted lines from Pat's bestselling novel The Prince of Tides: "In families there are no crimes beyond forgiveness."
From the former secretary of defense, a strikingly candid, vividly written account of his experience serving Presidents George W. Bush and Barack Obama during the wars in Iraq and Afghanistan.
Before Robert M. Gates received a call from the White House in 2006, he thought he’d left Washington politics behind: after working for six presidents in both the CIA and the National Security Council, he was happy in his role as president of Texas A&M University. But when he was asked to help a nation mired in two wars and to aid the troops doing the fighting, he answered what he felt was the call of duty. Now, in this unsparing memoir, meticulously fair in its assessments, he takes us behind the scenes of his nearly five years as a secretary at war: the battles with Congress, the two presidents he served, the military itself, and the vast Pentagon bureaucracy; his efforts to help Bush turn the tide in Iraq; his role as a guiding, and often dissenting, voice for Obama; the ardent devotion to and love for American soldiers—his “heroes”—he developed on the job.
In relating his personal journey as secretary, Gates draws us into the innermost sanctums of government and military power during the height of the Iraq and Afghanistan wars, illuminating iconic figures, vital negotiations, and critical situations in revealing, intimate detail. Offering unvarnished appraisals of Dick Cheney, Joe Biden, Hillary Clinton, and Presidents Bush and Obama among other key players, Gates exposes the full spectrum of behind-closed-doors politicking within both the Bush and Obama administrations.
He discusses the great controversies of his tenure—surges in both Iraq and Afghanistan, how to deal with Iran and Syria, “Don’t Ask Don’t Tell,” Guantánamo Bay, WikiLeaks—as they played out behind the television cameras. He brings to life the Situation Room during the Bin Laden raid. And, searingly, he shows how congressional debate and action or inaction on everything from equipment budgeting to troop withdrawals was often motivated, to his increasing despair and anger, more by party politics and media impact than by members’ desires to protect our soldiers and ensure their success.
However embroiled he became in the trials of Washington, Gates makes clear that his heart was always in the most important theater of his tenure as secretary: the front lines. We journey with him to both war zones as he meets with active-duty troops and their commanders, awed by their courage, and also witness him greet coffin after flag-draped coffin returned to U.S. soil, heartbreakingly aware that he signed every deployment order. In frank and poignant vignettes, Gates conveys the human cost of war, and his admiration for those brave enough to undertake it when necessary. Duty tells a powerful and deeply personal story that allows us an unprecedented look at two administrations and the wars that have defined them.
From the author of The Middle Place comes a new memoir that examines the bond—sometimes nourishing, sometimes exasperating, occasionally divine—between mothers and daughters.
When Kelly Corrigan was in high school, her mother neatly summarized the family dynamic as “Your father’s the glitter but I’m the glue.” This meant nothing to Kelly, who left childhood sure that her mom—with her inviolable commandments and proud stoicism—would be nothing more than background chatter for the rest of Kelly’s life, which she was carefully orienting toward adventure. After college, armed with a backpack, her personal mission statement, and a wad of traveler’s checks, she took off for Australia to see things and do things and Become Interesting.
But it didn’t turn out the way she pictured it. In a matter of months, her savings shot, she had a choice: get a job or go home. That’s how Kelly met John Tanner, a newly widowed father of two looking for a live-in nanny. They chatted for an hour, discussed timing and pay, and a week later, Kelly moved in. And there, in that house in a suburb north of Sydney, 10,000 miles from the house where she was raised, her mother’s voice was suddenly everywhere, nudging and advising, cautioning and directing, escorting her through a terrain as foreign as any she had ever trekked. Every day she spent with the Tanner kids was a day spent reconsidering her relationship with her mother, turning it over in her hands like a shell, straining to hear whatever messages might be trapped in its spiral.
This is a book about the difference between travel and life experience, stepping out and stepping up, fathers and mothers. But mostly it’s about who you admire and why, and how that changes over time.
Over the last half a billion years, there have been five mass extinctions, when the diversity of life on earth suddenly and dramatically contracted. Scientists around the world are currently monitoring the sixth extinction, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs. This time around, the cataclysm is us. In The Sixth Extinction, two-time winner of the National Magazine Award and New Yorker writer Elizabeth Kolbert draws on the work of scores of researchers in half a dozen disciplines, accompanying many of them into the field: geologists who study deep ocean cores, botanists who follow the tree line as it climbs up the Andes, marine biologists who dive off the Great Barrier Reef. She introduces us to a dozen species, some already gone, others facing extinction, including the Panamian golden frog, staghorn coral, the great auk, and the Sumatran rhino. Through these stories, Kolbert provides a moving account of the disappearances occurring all around us and traces the evolution of extinction as concept, from its first articulation by Georges Cuvier in revolutionary Paris up through the present day. The sixth extinction is likely to be mankind's most lasting legacy; as Kolbert observes, it compels us to rethink the fundamental question of what it means to be human.
For readers of Laura Hillenbrand's Seabiscuit and Unbroken, the dramatic story of the American rowing team that stunned the world at Hitler's 1936 Berlin Olympics
Daniel James Brown’s robust book tells the story of the University of Washington’s 1936 eight-oar crew and their epic quest for an Olympic gold medal, a team that transformed the sport and grabbed the attention of millions of Americans. The sons of loggers, shipyard workers, and farmers, the boys defeated elite rivals first from eastern and British universities and finally the German crew rowing for Adolf Hitler in the Olympic games in Berlin, 1936.
The emotional heart of the story lies with one rower, Joe Rantz, a teenager without family or prospects, who rows not for glory, but to regain his shattered self-regard and to find a place he can call home. The crew is assembled by an enigmatic coach and mentored by a visionary, eccentric British boat builder, but it is their trust in each other that makes them a victorious team. They remind the country of what can be done when everyone quite literally pulls together—a perfect melding of commitment, determination, and optimism.
Drawing on the boys’ own diaries and journals, their photos and memories of a once-in-a-lifetime shared dream, The Boys in the Boat is an irresistible story about beating the odds and finding hope in the most desperate of times—the improbable, intimate story of nine working-class boys from the American west who, in the depths of the Great Depression, showed the world what true grit really meant. It will appeal to readers of Erik Larson, Timothy Egan, James Bradley, and David Halberstam's The Amateurs.
Nightline anchor Dan Harris embarks on an unexpected, hilarious, and deeply skeptical odyssey through the strange worlds of spirituality and self-help, and discovers a way to get happier that is truly achievable.
After having a nationally televised panic attack on Good Morning America, Dan Harris knew he had to make some changes. A lifelong nonbeliever, he found himself on a bizarre adventure, involving a disgraced pastor, a mysterious self-help guru, and a gaggle of brain scientists. Eventually, Harris realized that the source of his problems was the very thing he always thought was his greatest asset: the incessant, insatiable voice in his head, which had both propelled him through the ranks of a hyper-competitive business and also led him to make the profoundly stupid decisions that provoked his on-air freak-out.
We all have a voice in our head. It’s what has us losing our temper unnecessarily, checking our email compulsively, eating when we’re not hungry, and fixating on the past and the future at the expense of the present. Most of us would assume we’re stuck with this voice – that there’s nothing we can do to rein it in – but Harris stumbled upon an effective way to do just that. It’s a far cry from the miracle cures peddled by the self-help swamis he met; instead, it’s something he always assumed to be either impossible or useless: meditation. After learning about research that suggests meditation can do everything from lower your blood pressure to essentially rewire your brain, Harris took a deep dive into the underreported world of CEOs, scientists, and even marines who are now using it for increased calm, focus, and happiness.
10% Happier takes readers on a ride from the outer reaches of neuroscience to the inner sanctum of network news to the bizarre fringes of America’s spiritual scene, and leaves them with a takeaway that could actually change their lives.
Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle-aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances—in their house, on the roadway, in the market.
Crippled in his right arm and leg, Aaron spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, self-dependent young woman, she is like a breath of fresh air. Unhesitatingly he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead help him to live in the moment and to find some peace.
Gradually he discovers, as he works in the family’s vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.
A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler’s humor, wisdom, and always penetrating look at human foibles.
Now wicked threats old and new are about to bring them together once again. Convicted serial killer Clarence Little has escaped from death row in Oregon, and Brad receives threatening messages in D.C., where he is working for Senator Jack Carson, a high-ranking member of the Senate Select Committee on Intelligence. A dead body, murdered according to Little's M.O., is found in the senator's Georgetown home, and Carson has disappeared. While Dana is in Oregon digging into Carson's shady background, a terrorist cell is poised to destroy a packed professional football stadium in one of the biggest attacks on American soil. As the senator's personal life begins to dovetail with the cell's evil plan, Brad and Dana will risk it all again to uncover the truth and save their country.
Phillip Margolin proves once more that he is a true master of suspense, delivering another high-octane thriller set in Washington's legendary corridors of power. Capitol Murder's breathtaking pace and electrifying twists will have old fans and newcomers racing to the final, stunning page.
What if a well respected doctor inexplicably goes on a murderous rampage?
When Dr. John Meacham goes on a shooting spree the office, his business partner, staff, and two patients are killed in the bloodbath. Then Meacham turns the gun on himself.
The blame falls on Dr. Lou Welcome. Welcome worked with Meacham years before as a counselor after John's medical license had been revoked for drug addiction. Lou knew that John was an excellent doctor and deserved to be practicing medicine and fought hard for his license to be restored. After hearing the news of the violent outburst, Lou is in shock like everyone else, but mostly he's incredulous. And when he begins to look into it further, the terrifying evidence he finds takes him down a path to an unspeakable conspiracy that seems to lead directly to the White House and those in the highest positions of power.